Sarah Hughes is Alan Ayckbourn's casting director, casting all world premieres of his plays at the Stephen Joseph Theatre Scarborough, in the West End, at the National Theatre and in America, as well as casting many other productions at the Stephen Joseph Theatre. TV work includes JONATHAN CREEK, GRASS, LOVE SOUP, PARENTS OF THE BAND, 2 PINTS, PULLING, John Sullivan's ROCK & CHIPS, THE OLD GUYS, FREEDOM and THE GREAT OUTDOORS for BBC4. Freelance theatre work includes plays for the West Yorkshire Playhouse,Birmingham Rep, Theatre Royal Northampton, and six productions for Frantic Assembly - recently Abi Morgan's LOVESONG, THE BELIEVERS and OTHELLO. She has a focus on working with actors with disabilities and ran the BBC Talent Alert, looking for new Disabled talent all over the UK (and reconnecting with existing actors with disabilities) in order to encourage on-screen representation of disabled actors, and is a teacher on the Central School of Speech and Drama's diploma in Performance Making for actors with learning disabilities. In 2012 she was one of four Senior Cast Co-ordinators for the London 2012 Olympic and Paralympic opening and closing ceremonies, leading on the Paralympic Opening. In 2013 among other projects she was in Seattle casting SUGAR DADDIES for ACT Theatre. 2014 projects included OTHELLO for Frantic Assembly, 6 productions for the SJT and she also for the second time directed the ALRA 3rd years in their industry showcase. 2015 projects included KILL ME NOW for the Park Theatre directed by Braham Murray and starring Greg Wise, directing the BA showcase at ALRA for the 3rd time, the 60th anniversary season for the SJT, I AND THE VILLAGE for Theatre 503, Jack Thorne's new play THE SOLID LIFE OF SUGAR WATER for Graeae, and Peter Gill's AS GOOD A TIME AS ANY for the Print Room, Notting Hill Gate. 2016 projects include casting Alan Ayckbourn's 80th play, OTHELLO for Stafford Festival and THINGS I KNOW TO BE TRUE for Frantic Assembly. For a more detailed CV please email Sarah at firstname.lastname@example.org.